Rivalries between siblings in “Take The Night the Night,” a stylish film noir about an impromptu prank that fails.
The plot centers about the two Brothers. The first pair, William and Robert, manage an import company that spans multiple countries. The other pair, Chad and Todd are people who are looking for a quick,, but often not legal.
Then both families come together.
William chooses to play with his younger brother, who is the most loved in the family. He decides to be an easygoing person, and sets up an elaborate kidnapping plot designed to scare him prior to release on the day at the time of his birthday party.
William is employed to Chad to bring the idea to the point of. However, Chad and Todd have their own unique ideas. Why pretend to kidnap someone when you could as easily make up a fake and earn money in the process?
It’s an excellent start for a film however, like many low-budget thrillers, the story becomes a little sloppy towards the end , and at times the budgetary constraints start to become obvious.
The specifics of the incident and the resulting results are presented without providing any information at most, and confusing at most. (Not saying I’m an expert in the real use of cryptocurrency in the real world, but the film doesn’t clarify what they plan to do in order to acquire the cryptocurrency. )
The setting isn’t right for the characters. Chad and Todd’s house too extravagant for the type that couple they’re, as well as William Robert’s house quite modest. (It is highly unlikely that two incredible rich bachelors would live in the same residence, especially because they’re clearly not together in love. )
Seth McTigue’s direction can be described as solid, but his ability to capture eye-to-eye dialogue and also has an amazing sense of tension and speed. The acting is, in general, fantastic. Roy Huang and Sam Song Li are both exceptionally shrewd as the wealthy brothers, for example. Brennan Keel Cook has a raunchy attitude over the motormouthed Todd.
The problem is that McTigue chose to be Chad for the movie which is a terribly incorrect decision. The role of the lead in a film you’re producing and also directing regardless of having never played in a film previously? This isn’t a smart move. Making use of cheap cliches, for instance, making him a veteran with PTSD and not having to make a full character? That’s not cool.
Rainer Lipski’s cinematography feels dark, threatening as is Co-star Grace Serrano has an easy absurdity that isn’t forced in her role as an executive assistant struggling. The theme of conflicting siblings, unhappily fathers and the obligations of family members is seamlessly woven into the story.
The script needed a second revision. The cast also needed a experienced actor.
